A history of bare chested manliness from America’s most trusted source in boy-tits news and coverage: the Wall Street Journal…
Male cleavage, particularly on the silver screen, has long played a prominent role in popular culture. Douglas Fairbanks Sr. had his chest on display throughout the 1920s in films like 1924’s “The Thief of Bagdad” and “The Iron Mask” in 1929. A dashing Errol Flynn showed man cleavage in the 1930s, most memorably in 1938’s “The Adventures of Robin Hood.” These actors made skin-flashing practically de rigueur for certain swashbuckling roles.
The aesthetic continued well into the 1950s and the 1960s, says menswear historian Robert Bryan, author of the new book “American Fashion Menswear.” Among those celebrated for their heavage were Marlon Brando (in the 1951 film version of “A Streetcar Named Desire”) and Sean Connery as James Bond in the 1960s.
Buzzkill, Melissa Clouthier is not amused…
It is interesting to me that during the Bush administration the men’s fashion designers were designing for the slight and the androgynous male, but now that the slight and metrosexual male is residing in the White House, designers are trying to butch things up — just like they did during the namby-pamby Carter era.
Well, no amount of chest hair or weird NFL United We Serve commercials where the president is catching a football with smiling children, is going to make this administration suddenly macho and manly. Nancy Pelosi is the toughest politician in Washington, and it’s safe to say she’ll keep her necklines from plunging.
Real men need to fight the cultural scourge of swing fashion trends. Real men are not trendy. They’re classic. No one wants to see lithe and androgynous men. And no one wants to see a man’s chest hair, either.
Read her full article here.